Raw Words. Raw Reflections.
Drawing Windows
Drawing Windows is a long-form handwritten archive—part journal, part poem, part failure-to launch.
Longhand scribbles that weave between intimacy and erasure, to do's and not to do's, love and withdrawal.
What’s present matters as much as what’s crossed out.
Typical Niguel style, the graphite, ink smudges, dates, margins, and repeated phrases document time passing rather than conclusions reached.
These ain't polished poems. Instead, evidence of someone thinking in real time, trying to stay honest longer than comfort allows.
It’s less about telling a story than showing the cost of having one
A Good Title
A Good Title is a time-stamped old notebook of mine—written in fragments.
Dates and hours matter here. Time is not background; it’s the pressure.
The writing moves between Niguel's common themes, moments of clarity, conscienceless and its inner workings and self-surveillance as a theme instead of a condition. Certain phrases I repeat. Others are crossed out mid-thought like proof that thinking itself can be unsafe.
What emerges isn’t resolution, but awareness.
Dreaming, When I Should Be Asleep
Dreaming in Dreams is a handwritten notebook that lives between waking thought and sleep. The pages move in loops—questions repeating, phrases returning altered—as the writer tracks love, fear, and self-awareness in real time. Cross-outs and revisions remain visible, not as corrections but as proof of uncertainty.
Rather than telling a story, the work documents a state of mind: what it feels like to stay awake inside your own thoughts until meaning softens and clarity drifts